CFP: The Fan Studies Network 2015 Conference

February 12, 2015 by

Call for papers:
THE FAN STUDIES NETWORK 2015 CONFERENCE
27-28th June 2015
University of East Anglia, Norwich, UK

Keynote Speakers:
Dr Lincoln Geraghty (University of Portsmouth, UK)
Dr Suzanne Scott (The University of Texas at Austin, USA)

For three years the Fan Studies Network has provided an enthusiastic and welcoming space for academics in all stages of study interested in fans and fandom to connect, share resources, and develop their research ideas. Following the success of our first two conferences, we are delighted to announce our third annual event: FSN2015, taking place over two days at the University of East Anglia, 27-28th June 2015.
FSN2015 will feature two keynote speakers, both of whom have made a dynamic impact on the field. The first will be Dr Lincoln Geraghty, author of Living with Star Trek: American Culture and the Star Trek Universe (IB Tauris, 2007), American Science Fiction Film and Television (Berg, 2009) and Cult Collectors: Nostalgia, Fandom and Collecting Popular Culture (Routledge, 2014). The second keynote will be Dr Suzanne Scott, who, in addition to her published work on fandom in journals such as New Media & Society and Transformative Works and Cultures, is currently working on her forthcoming book Revenge of the Fanboy: Convergence Culture and the Politics of Incorporation.
We invite abstracts of no more than 300 words for individual 20 minute papers that address any aspect of fandom or fan studies. We also welcome collated submissions for pre-constituted panels. We encourage new members, in all stages of study, to the network and welcome proposals for presentations on, but not limited to, the following possible topics:

– Activism and fandom
– Pedagogy and Fandom
– Non technological practices in fandom
– Fan conventions
– Fandom and conflict
– Fan labour
– Non-Western fan cultures
– Ethics and methodology in fan studies
– Defining fandom
– Anti-Fandom and Non-Fandom
– Fan use of social media platforms
– Fandom (and) controversies
– Transculture and fandom
– The future of fan studies

We also invite expressions of interest (100- 200 words) from anyone wishing to host a short session of ‘speed geeking’. This would involve each speaker chairing a short discussion on a relevant topic of their choosing, and then receiving valuable feedback, making it ideal for presenting in-progress or undeveloped ideas. If you have any questions about this format of presentation, please contact Richard McCulloch at mccullochr@regents.ac.uk.
Please send any enquires/abstracts to: fsnconference@gmail.com by SUNDAY 22RD MARCH 2015.

You can find out more information on https://fanstudies.wordpress.com/ or talk about the event on Twitter using #FSN2015.

Conference Organisers:
Lucy Bennett and Tom Phillips (FSN chairs)
Bertha Chin, Bethan Jones, Richard McCulloch, Rebecca Williams (FSN board)

FSN Symposium 2013 Video

December 9, 2013 by

The very first Fan Studies Network Symposium, held at the UEA on 30th November 2013, was a great success. Thanks to all those who attended, presented papers, or gave us support over Twitter on the day!

We were delighted to have Emily from SeaMe.tv in attendance, filming panels and talking to attendees. SeaMe.tv has produced an excellent video summarising the day. You can view it embedded below.

The Fan Studies Network: About Us

April 27, 2013 by
Formed in March 2012, the Fan Studies Network was created with the idea of cultivating an international friendly space in which scholars of fandom could easily forge connections with other academics in the field, and discuss the latest topics within fan studies. Having attracted close to 300 members across the world, the network is already fostering a sense of community and engendering fruitful debate.
In May 2013 a special section of Participations journal was dedicated to the FSN. You can read all the articles here:
http://www.participations.org/Volume%2010/Issue%201/contents.htm
You can also find us on Twitter at @FanStudies, on the discussion list at http://jiscmail.ac.uk/fanstudies and on the Facebook group at https://www.facebook.com/#!/groups/507241072647146/
To contact the FSN, please email Lucy Bennett (bennettlucyk@gmail.com) and/or Tom Phillips (T.Phillips@uea.ac.uk)

Call for Papers:  “Performing Stardom”: New Methods in Critical Star Studies

February 14, 2015 by

NoRMMA (Network of Research: Movies, Magazines, Audiences), University of Kent, UK

Friday 29th May, 2015

NoRMMA invites proposals for an interdisciplinary conference on non-traditional approaches to star studies research. The one-day event will be held at the University of Kent on May 29th, 2015.

Confirmed keynotes:

Dr Catherine Grant, University of Sussex
Dr Kieran Fenby-Hulse, Bath Spa University

The event will focus on ways to explore film studies research through non-traditional approaches. Examples include: performance, video essays, interpretative dance, creative fiction/non-fiction, poetry, music, and any kind of multimedia project. Through this symposium, we would like to explore the connections between scholarship and fandom, research and creativity, the benefits and disadvantages of exploring an (audio)visual art through (audio)visual means, and the development of the innovative and ever-emerging field of practice as research.

Potential topics include, but are not limited to:

– Star studies

– Film History

– Fan magazine research

– Audience reception studies

– Archival research

– Genre studies

– Aspects of film analysis

Potential contributors should submit abstracts of 300 words and a short biography to normma.network@gmail.com by Friday 27th February, 2015.

Intensities CFP: Fifty Shades of Grey (2015)

February 13, 2015 by

The cinematic release of Sam Taylor-Johnson’s Fifty Shades of Grey (2015) has already garnered speculation, derision and debate equal to its highly controversial source text, E. L. James’ homonymous trilogy. Its alignment with mass media, a predominantly female audience and mainstream cinema make it a concurrently anticipated and abhorred rich contemporary text. Intensities: The Journal of Cult Media thus invites papers which will interrogate this adaptation from a plethora of new perspectives including industry, text and reception analysis.

Focuses may include, but are not limited to:

* Adaptation Studies
* Audience Studies
* Comparative film analyses
* Criticism analyses
* Genre and Formalism
* Fans and Fan-Fiction
* Kink, BDSM and Sexual Politics
* Pornography Studies
* Publicity, promotion and paratexts
* Psychoanalytic textual analysis
* Queer Theory
* Social Networking and the Blogosphere
* Star Studies

Authors are expected to familiarise themselves both with the pre-existing literature on Fifty Shades, and with the submission guidelines available at:

http://intensitiescultmedia.com/about-intensities/submission-guidelines/

Considering the timeliness of this topic, the deadline for submissions of 6-8k papers accompanied by 250 word abstracts and 150 word bios is April 30th 2015 for publication this year. Submissions should be emailed to assistant editor Sarah Taylor-Harman at Sarah.Harman@brunel.ac.uk.
Inquiries and expressions of interest are also welcomed.

Intensities is a peer reviewed open access online journal. www.http://intensitiescultmedia.com

CFP: Gendered Politics of Production: Girls and Women as Media Producers

February 13, 2015 by

June 16, 2015 at Middlesex University London

Keynote by Mary Celeste Kearney (University of Notre Dame, USA), author of Girls Make Media

Girls and women are arguably producing more media than ever before. As bloggers, vloggers and “tweeters”, filmmakers, television showrunners, web designers, game developers, and musicians – to name only a few – girls and women are active contributors to contemporary media production cultures. Yet, recent incidents such as Gamergate point to the continuous precarious positioning that girls and women occupy as both amateur and professional media producers within a context shaped by what Sarah Banet-Weiser (2015) has recently called “popular misogyny.” What is at stake for female media producers within this context? How do identities such as gender, race, class, age, sexuality, nationality, and ability shape one’s participation in production cultures? How are gendered neoliberal imperatives to be constantly productive informing who is producing media and what these media texts look like? And in what ways are girls and women mobilizing media production as an activist strategy to challenge sexism, racism, classism and other social inequalities across local, national, and international contexts?

We are seeking papers for a one-day symposium that aims to examine these questions and explore girls’ and women’s production of a wide range of commercial and alternative media texts.

Papers may address, but are not limited to, the following themes:

• Historical analysis of girls and women as media producers

• The production and circulation of feminist and activist media texts

• Gendered labour in media industries

• Methodological approaches to studying production cultures

• Relationship between gender, media production, and neoliberal entrepreneurship

• The politics of media production training programs

• Female media producers across global media networks

• Participation in digital media cultures

This one-day symposium, featuring a keynote lecture by Mary Celeste Kearney (University of Notre Dame, USA), will be held at Middlesex University in London UK on June 16, 2015. It will serve as an opportunity for discussion and networking for feminist media scholars focusing on production cultures prior to the Console-ing Passions Conference in Dublin from June 18 – 20. This event is organized as part of Middlesex University’s FemGenSex Research Network and the Media Department’s Gender and Sexuality Research Cluster.

Please submit abstracts of 250-words and a 50-word bio by March 15, 2015 to Jessalynn Keller (j.keller@mdx.ac.uk), Feona Attwood (f.attwood@mdx.ac.uk), and Mariam Kauser (m.kauser@mdx.ac.uk).

CFP: JAWS 40th Anniversary Symposium, De Montfort University, Leicester, UK, 17 June 2015

February 10, 2015 by

Proposals for 20 minute papers are invited for a One-Day Symposium to mark the 40th Anniversary of Steven Spielberg’s JAWS.

The Symposium takes place on Wednesday 17 June 2015 from 10.00 – 6.00 in HA 0.08 at De Montfort University, Leicester, UK.

The Symposium is part of the Faculty of Technology Research Seminar Series and is hosted at the Leicester Media School by The Cinema and Television History (CATH) Research Centre and The Centre for Adaptations, De Montfort University, Leicester, UK.

Keynote speakers include Nigel Morris, author of Steven Spielberg: Empire of Light and editor of The Blackwell Companion to Steven Spielberg.

Brief proposals, biographies and a note of institutional affiliation should be sent to Professor Ian Hunter: iqhunter@dmu.ac.uk. The deadline for proposals is 31 March 2015.

Papers could be on *any* related topic such as but not restricted to:

Jaws – influences, production, interpretation, publicity, reception, reissues, video and DVD releases and extras.
Jaws 2, Jaws 3D and Jaws the Revenge
Peter Benchley
John Williams, Verna Fields, cast and crew
USS Indianapolis
Jawsploitation rip off films from Piranha and Grizzly to Great White, This Ain’t Jaws XXX and Bait / novels / comic strips / TV shows
Novelisations and adaptations
Video games and toys, memorabilia, collectables and collecting
Jaws and Spielberg / the New Hollywood / the modern blockbuster
Jaws fandom, memes and memories
Jaws and cult
Theme part rides
Jaws and sharks in myth, the media and wildlife documentaries
Jaws, sharks and ecology and shark conservation

The attendance fee will be £20 / £10.

Networking Knowledge Journal: Expressions of Interest

February 6, 2015 by

For the attention of all postgrads/early career researchers (please pass this email on if you know one),

Networking Knowledge - the Journal of the MeCCSA Postgraduate Network – is seeking expressions of interest from prospective editors, authors and peer reviewers.

Guest Editors:

The journal publishes specifically-themed guest edited issues throughout the year. The journal is now calling for prospective guest editors who are interested in editing collections of articles on a theme of their choice. This will include conceiving the theme and its parameters, seeking and selecting authors of 5-8 articles through both commissioning and an open call for papers, managing the peer review process, copy-editing articles and contributing a short editorial introduction to the finished collection. Guest editors will be supported throughout the process by the Journal Editor, who will also prepare the final articles for online publication.

This is a valuable opportunity for PG researchers to gain experience of all aspects of peer-reviewed journal publication, as well as developing interaction with peers who have similar research interests. Teams of two or three Guest Editors are acceptable, as well as individuals. Themes can be drawn from any aspect of the subject areas covered by MeCCSA. They should represent a cutting-edge and specific research focus, but be open enough to accommodate a range of disciplinary, methodological and/or geographical areas.

As a guide, some previous special issues have focused on:

•Time and Technology in Popular Culture, Media and Communication
•Branding TV: Transmedia to the Rescue
•Protest and the New Media Ecology

And our forthcoming issues will be on:

•Mediatizing Gaza
•Digital Comics
•Selfies
•New Perspectives on Cinematic Spectatorship and Digital Culture
•New Approaches to Music Listening

Proposals should be no more than 500 words and include:

•A provisional title for the collection
•The proposed theme, including a brief explanation of existing relevant research and what the collection will seek to contribute
•Brief examples of potential contributors (to be commissioned) and article topics (to be included in a call for papers)
•Name(s), institution(s) and e-mail address(es) for the prospective guest editor(s)

Articles:

As well as guest editors of themed issues,Networking Knowledge is now also seeking material for open submission.

Such articles, interviews, reviews and conference reports are to be published in standard issues. These pieces will be firstly screened by the Journal Editor for relevance and suitability, then peer reviewed by two members of our PG advisory board. Submissions can be on any of the broad subject areas covered by MeCCSA. Abstracts of no more than 150 words can, in the first instance, be e-mailed to the journal editor. The editor will then inform the author if a formal submission will be relevant and suitable. Alternatively, full submissions can be sent unsolicited to the journal editor.

More detailed author guidelines are available here: http://ojs.meccsa.org.uk/index.php/netknow/about/submissions#authorGuidelines

Peer Reviewers:

The journal is also looking for experts across all areas of media, communications and cultural studies to join its advisory board of peer reviewers. As a member of the advisory board, you will get hands-on experience of the peer reviewing process and be part of this dynamic and multi-disciplinary journal. All postgraduate and early career researchers who would like to be involved in encouraging cutting edge and high standard scholarship in this open access online journal are invited to volunteer.

Members of the advisory board are required to write a single page report on articles that relate to their specific research interest(s) and make a recommendation as to its suitability for publication. It is a ‘double blind’ process so both authors and reviewers remain anonymous.

If you are interested, please send the following information to the Journal Editor:

•Your name
•Your institutional affiliation/s (if applicable)
•Your position (e.g. PhD candiate, lecturer, etc.)
•Your current e-mail address/es
•3-6 key words or phrases identifying your areas of expertise (no need to mention ‘media, ‘communications’ or ‘culture’!)

NB. those who are already members of the advisory board, please contact the editor to update contact details and areas of expertise if they’ve changed recently.

Expressions of interest in editing a special issue, contributing an article or other material, or joining the advisory board of the journal, should be sent to the Journal Editor, Simon Dawes, atsimondawes0@gmail.com

CFP Series Journal

February 6, 2015 by

We are pleased to invite submissions for the second issue of SERIES, a new international open access journal on TV serial narratives. The main focus of the journal is to promote a global discussion forum and an interdisciplinary exchange among scholars engaged in research into TV serial narratives. SERIES encourages methodological innovation in academic research, providing new contributions for a better understanding of the narrative, technological, economic, social and cultural impact of TV serial dramas. Articles should deal with television series, web series and/or telenovelas. According to that we will welcome submissions on every topic related to TV serial narratives for our second issue. 

In addition, a relevant issue at the moment seems to be the size of serial production that now more than ever have been so diverse and manifold. New broadcasters/producers and new forms of fruition are outlining a scenario in which the size of the series have become particularly important, also in determining the performance of the product in terms of ratings/advertising/sponsors/product placement, etc. Papers devoted to the study of this topic will be specially welcomed.

If you are interested in this call for papers, please send your full manuscript before June 30, 2015. The deadline for the editorial work (open and peer review process, editing and improvement of articles if needed, etc.) is September 30, 2015. Expected publication date of the issue: November 2015. 

For more information about the journal, please visit the website: http://seriesjournal.org

CFP: ‘Symfrozium’: A study day on Frozen, University of East Anglia, Norwich, UK, 12 May 2015

February 5, 2015 by

‘Symfrozium’: A study day on Frozen (2013)
12th May 2015
University of East Anglia, Norwich, UK

Released in 2013, Frozen has become the most successful animated film of all time. Widely touted in popular discourse as Disney’s ‘first foray into feminism’ the film’s apparent privileging of female kinship over heterosexual romance has been seen as marking the film out from its precursors in the Disney ‘princess’ franchise. Whilst academic scholarship on Frozen will no doubt be forthcoming, such claims are yet to be subject to sustained interrogation. Indeed, whilst the film’s apparently unprecedented popularity and cultural impact has garnered significant attention in popular media discourse, the film’s significance for Film, Media, Cultural studies and beyond has yet to be visibly debated. Thus, this free one day event will offer the opportunity to take up this interrogation and to reflect upon the issues and questions raised by the film in the context of its significant cultural moment since 2013.

Topics may include – but are not limited to:

Representations of gender, sexuality, race and class
Critical reception
‘Queer’ readings
The role of the soundtrack, both textually and extra-textually
Merchandising and commodification
Marketing
Industrial context
Relationship to Disney princess precursors
Social media and audience uses
Fan communities
Girl culture
Circulation within ‘parent’ culture
Issues of adaptation (given that the film was loosely based on The Snow Queen [1844])
Negative responses to the ‘cultural assault’ of Frozen
Brozen

Abstracts of no more than 250 words should be emailed to either Su Holmes(susan.holmes@uea.ac.uk) or Sarah Godfrey (s.godfrey@uea.ac.uk) by Monday 9th March. Please include your institutional affiliation and brief bio. Questions welcome.

CFP: POPCAANZ Conference, Wellington, New Zealand, 29 June – 1 July 2015

February 3, 2015 by

The Popular Culture Association of Australia and New Zealand

6th Annual International Conference June 29-July 1, 2015

Massey University Campus Wellington, New Zealand

CALL FOR PAPERS
Deadline for abstracts: March 1, 2015

Proposals for both panels and individual papers are now being accepted for all aspects of Fan Culture including, but not limited to, the following areas:
•Fan Fiction

•Fan/Creator interaction

•Race, Gender and Sexuality in Fandom

•Music Fandom

•Reality Television Fandom

•The Internet and Fandom

•Fan Communities

•Fan Media Production

•Fans as Critics

•Cosplay

•Fan crafts

•Fan pilgrimages

We invite academics, professionals, cultural practitioners and those with a scholarly interest in popular culture, to send a 150 word abstract and 100 word bio to Katherine Larsen at fandom@popcaanz.com.
Panel proposals should include one abstract of 200 words describing the panel,
accompanied by the abstracts (250 words) of the individual papers that comprise the panel.  Graduate students are encouraged to submit proposals.

CFP: ECREA TV Studies Section MAB Joint Conference

January 31, 2015 by

TV in the age of transnationalisation and transmedialisation: a two-day, international conference

Date: Monday 22nd and Tuesday 23rd JUNE 2015

Venue: University of Roehampton, London, UK

Organisers: ECREA Television Studies section and the Media Across Borders network (www.mediaacrossborders.com)

Television is crossing borders in multiple ways. Throughout much of the 20th century it seemed to resemble the geometrical elements of a Kandinsky painting from the Bauhaus phase: each element clearly distinct but overlapping and carefully positioned in relation to other elements. Television was perceived and studied similarly; mostly separate from the other mass media, including film, radio, video games or consumer magazines. Moreover, in Europe television content was clearly separated from advertising through the distinction, or separation principle. In addition to these distinct media elements, state borders clearly separated television markets in the perception of academics, audiences and TV executives. After all, television was mostly conceived and regulated by state institutions and predominately broadcast and consumed within state borders. Cross-border production and trade in television programmes were consequently viewed as international; organised between national institutions and companies. But gradual and ongoing transnationalisation and transmedialisation are making the neat geometrical forms more and more permeable, manifold and unsteady. Kokoschka’s style of painting, blurred and blended, seems a more appropriate metaphor to describe today’s television-scapes. This conference offers a space to reflect on the changes pertaining to the processes and workings of transmedialisation and transnationalisation, and on the theoretical and methodological consequences this has for television studies. It also offers opportunities for networking.

Papers are invited on topics related to television’s transnationalisation and transmedialisation, including:
• Transnational and international production and distribution of TV programmes
• Transmedia/cross-media storytelling (with global examples particularly welcome)
• The trade in TV Formats
• Adaptations and remakes of international franchises
• Localization of television and related content at the textual and paratextual levels
• Dubbing, subtitling and re-versioning of television content
• Marketing and branding of global (trans)media franchises
• Global television aesthetics
• Transnational television consumption and reception
• Professional negotiations of internationalisation, transnationalisation and localisation
• Organisational relationships and trends in a transmedialising/transnationalising media environment
• Attempts to re-conceptualise television and television markets
• Theoretical reflections on the international, transnational, global, national and/or local
• Methodological reflections: researching television in the age of transnationalisation and transmedialisation

Plenary speakers
Liz Evans (University of Nottingham)

Giselinde Kuipers (University of Amsterdam)

Industry panel to be confirmed but will include Senior TV Executives from BBC Worldwide, Channel 4, FremantleMedia, HBO Europe, Media Xchange, Northern Europe and 360 Degree, Shine International and/or Warner Bros.

Information/details
Submit your max. 300 word abstract along with institutional affiliation and a short bio (max. 150 words), or a panel proposal (minimum 3 speakers, 300 words rationale plus 300 words per paper, relating them to the focus of the conference to Lothar Mikos (l.mikos@hff-potsdam.de) and Andrea Esser (a.esser@roehampton.ac.uk) by March 9, 2015.

Decisions on abstracts will be communicated by 6th April 2015.

The conference fee for ECREA and MAB members is £95 waged (approx. 127 euro/$144; £45 unwaged/student (approx. 60 euro/$68/); for non-members it is £110 waged (approx. 147 euro/$167 and £55 unwaged/student (approx. 72 euro/$83/). The fee includes lunch and refreshments for both days and a drinks reception.

Conference papers on TV Formats will be considered for a special issue on ‘Trade in TV Formats’, for VIEW: Journal of European Television History and Culture (http://journal.euscreen.eu/index.php/view) for publication in June 2016. The issue is jointly edited by John Ellis (Royal Holloway/University of London), Andrea Esser (University of Roehampton, London) and Juan Francisco Gutiérrez Lozano (University of Málaga/Spain).

The conference is hosted by the University of Roehampton’s Centre for Research in Film and Audiovisual Cultures (CRFAC) in the Department of Media, Culture & Language.

Please direct any academic queries to Dr. Andrea Esser (a.esser@roehampton.ac.uk), other queries to Julia Noyce on julia.noyce@roehampton.ac.uk or 0208 392 3698.


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